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March 5, 2020
Packing a lens for travel is one of the most painstaking decisions a photographer faces. You don't want something so cumbersome it stops you enjoying your trip — but you also don't want to limit your ability to capture those once-in-a-lifetime shots. The right lens depends on where you're going, what you're shooting, and how much weight you're willing to carry.
Here's a breakdown of the best camera lens types for travel photography, and when to reach for each one.
If you could only pack one lens for travel, an all-in-one zoom (also called a superzoom) is the most versatile choice. These lenses cover a wide focal range — typically something like 18–200mm or 24–240mm — in a surprisingly compact package, making them ideal for photographers who want to be prepared for everything without carrying multiple lenses.
The trade-off is image quality: all-in-one zooms don't match the sharpness or maximum aperture of dedicated lenses. However, higher-end models offer a significant improvement in optical quality, along with weather-sealing — a genuine bonus when travelling through varied climates. For casual travel and documentary-style shooting, they're hard to beat for convenience.
Best for: Travellers who want one lens for everything — street scenes, landscapes, portraits, and wildlife.
Wide-angle zoom lenses (typically 16–35mm) are the go-to choice for capturing vast, expansive scenes — sweeping landscapes, dramatic architecture, and busy street scenes where you want to show the full environment. If your trip takes you to places with jaw-dropping natural views, ancient ruins, or impressive cityscapes, a wide-angle zoom belongs in your bag.
For even more dramatic results, an ultra-wide or fisheye lens (below 14mm) can produce striking, immersive images — though the barrel distortion at the edges isn't to every photographer's taste. Read our guide to wide-angle vs telephoto lenses for landscape photography for a deeper comparison.
Best for: Landscapes, architecture, interiors, and street photography.
A telephoto zoom (70–200mm or 100–400mm) lets you reach subjects from a distance A telephoto zoom (70–200mm or 100–400mm) lets you reach subjects from a distance — for a detailed breakdown of the best options available, visit our guide to the best telephoto lenses for every camera system in 2026. For a detailed breakdown of the best options available, visit our guide to the best telephoto lenses for every camera system in 2026. — essential for wildlife, sports, and compressing the layers of a distant mountain range. If your travels take you on safari, to wildlife reserves, or anywhere you'll be photographing subjects you can't get close to, a telephoto zoom is indispensable.
Telephoto lenses also produce beautiful background compression and shallow depth of field, making them surprisingly effective for environmental portraits — isolating a subject against a blurred, atmospheric background. For more on this, read our guide to the best cameras and lenses for landscape photography.
Best for: Wildlife, sports, distant landscapes, and compressed perspective shots.
Shooting with a prime lens takes some getting used to — you can't zoom, so you have to move your feet. But there's a reason many of the most celebrated travel photographs in history were taken with primes. Image quality is exceptional, maximum apertures are wider (f/1.4–f/2.8 is common), and they're typically smaller and lighter than zoom lenses of equivalent quality.
The wider aperture makes primes far more capable in low-light conditions — think candlelit restaurants, dimly lit temples, or golden hour street scenes — and produces the smooth, creamy bokeh that separates travel portraits from snapshots. Pancake-style primes (ultra-thin, compact designs) are particularly popular for travel, keeping your kit as portable as possible.
A 35mm or 50mm prime is the classic travel choice — versatile enough for street, portrait, and environmental photography. A 24mm or 28mm works well if you prefer a slightly wider perspective.
Best for: Low-light shooting, portraits, street photography, and photographers who want the best image quality in the smallest package.
The best travel lens is ultimately the one that suits the type of photography you'll be doing most. A few questions to ask yourself before you pack:
Browse our full range of camera lenses online, or visit a Novatech Direct store for personalised advice from our team. For more photography tips, read our guide to the best landscape photography tips for beginners.
There's no single best lens — it depends on your shooting style and destination. For maximum versatility in a single lens, an all-in-one zoom (18–200mm or similar) is the most practical choice. For the best image quality, a 35mm or 50mm prime paired with a wide-angle zoom covers most travel situations. If wildlife or sport is on the agenda, add a telephoto zoom.
It depends on how much weight you're willing to carry and how seriously you take your photography. A single all-in-one zoom is the most convenient option and covers most situations adequately. A two-lens kit — typically a wide-angle zoom and a short telephoto or prime — offers significantly better image quality and creative flexibility with only a modest increase in weight.
A 35mm or 50mm prime is the classic choice for street photography — close to the natural field of view of the human eye, compact, and fast enough for low-light shooting. A 28mm works well if you prefer a slightly wider perspective. Avoid very long focal lengths for street work, as they create distance between you and the scene and can make images feel detached.
Both have their place. Zoom lenses offer flexibility and convenience — one lens covers multiple focal lengths, which is invaluable when you can't change position or swap lenses quickly. Prime lenses offer superior image quality, wider maximum apertures, and are often smaller and lighter. Many travel photographers use a zoom as their primary lens and carry a fast prime for low-light and portrait work.
Not always, but it's worth considering if you're travelling to wet, dusty, or unpredictable environments. Weather-sealed lenses (and cameras) provide peace of mind when shooting in rain, near waterfalls, on beaches, or in dusty conditions. If your camera body is weather-sealed, pairing it with a non-sealed lens negates much of that protection — so it's worth matching the two.
